By watching Fabienne Verdier1 paint, it is possible to enter the contemplative and meditative space from which she works in a palpable way. Spontaneous movement embodied as the moment emerges through her being- through the brushes, paint, the forces of nature, and elements around her. She says, “When I paint a tree, I become a tree, when I paint water I become water. The same with tectonic forces. It’s something self-generating. I feel it powerfully in my heart. It comes out in an abstract form.”
Like in the teachings of Taoist sages, she too is engaged in the practice of emptiness creating itself. Such practices require silence and solitude, enough to create a highly receptive state where one can begin to truly hear. Fabienne says, “you hear your inner voice, sometimes the inner voice of clarity itself. I don’t know, it’s a great mystery.”
I see many parallels in Fabienne’s practice as a painter to the practice of a practitioner of Chinese Medicine. In the treatment room with a patient, together we open to possibility- to emptiness- to mystery-to the forces of nature- to the elements- with a shared intention, and then we see what ‘wants’ to happen. When this inquiry engages and moves with the tools of Chinese Medicine, something new is able to emerge- bringing change and creating space as nourishing ground for the spontaneous arising of harmony, clarity, and wholeness embodied. True healing is a mystery- moving away from the known toward the unknown in a dance of moving stillness and stillness moving.